Arcadia by Tom Stoppard: Act 1, Scenes 1 and 2 - Summary
Act 1, Scene 1
We are in a country house, Sidley, in Derbyshire
in 1809. Septimus, 22, and his student Thomasina, 13, are each studying their
own thing, she math and he reading Mr/ Chater's poem. She looks up from her
attempt to solve Fermat's last theorem to ask about "carnal embrace".
He tells her it means to hug meat.
Nokes (landscape gardener) told Mr.
Chater that Mrs. Chater was engaged in a carnal embrace with someone in the
gazebo
Groom hears this
Tells Jellaby
Jellaby tells cook
Thomasina overhears
Thomasina tells Septimus.
He tells her what the phrase really means
and she is disgusted. The butler Jellaby enters with a letter for Septimus from
Mr. Chater and relays the message that he will meet him after the lesson. Mr
Chater, angry, enters the room and confronts Septimus about bedding his wife,
and challenges him to a duel. Septimus distracts him by praising his poetry,
and even turns it around by saying a poetry journal appealed to him for a
review of Mr. Chater's poem and suggesting that Mrs. Chater slept with him to bribe
him, but makes Mr Chater think it's his idea. Mr. Chater gives Septimus a
signed copy of his book. Noakes enters and panics but sees them friendly.
Lady Croom, Thomasina's mother, enters
with Captain Brice. They are speaking of landscaping but Mr. Chater and
Septimus mistake it for talk about infidelity. They look at Noakes' sketchbook
that has "after" drawings of the garden superimposed on
"before". Thomasina enters and hears the phrase "side of
beef", upon which her mother grows angry at Septimus, but Thomasina,
perceiving this, saves the tutor by pretending to think it means "hugging
meat". She rebukes him for filling her daughter's head with nonsense. She
surveys Noakes' plans for her garden which consist of building ruins on it, and
opposes them because as the garden is it is green and pleasant, heavenly, a
notion which Thomasina opposes.
Thomasina notes that her father's life
revolves around hunting. She draws in a hermit on the hermitage Noakes plans
instead of the gazebo.
Act 1, Scene 2
Present day.
Hannah is in the same room,
and Chloe, daughter of the house, and Bernard, a visitor, enter. Hannah leaves.
From the conversation we understand that the landscape has been changed to
Noakes' vision. Chloe leaves too after having put on garden boots and leaves
Bernard alone in the room. Gus enters and leaves. The room is bare because
everything has been removed for the dance.
Bernard wants to meet Hannah, who is
researching hermits and has written about Caroline Lamb, but doesn't want her
to know his name. Hannah is composed and has Bernard tripping over himself. He
tells her he is interested in the poet Ezra Chater, about whose note to
Septimus he is aware, and asks her to let him know if she finds anything on him
in the course of her research. We find out Bernard gave her last book a
horrible review. Also that Valentine is doing mathematical analysis of grouse
populations.
Bernard charms Hanna into telling him about Septimus who studied math and
natural philosophy at Cambridge. She shows him the sketchbook with Thomasina's
drawing on it. She is researching the Sidley hermit. Hannah says he and the
change in the garden symbolize the transition from Enlightenment to
Romanticism, from thinking to feeling and it's a "decline". Bernard
is skeptical about her aversion to sentimentality.
Chloe comes in and betrays
Bernard's name, and Hannah gets mad and Bernard asks her to collaborate because
Byron is involved. Bernard attributes the notes between Septimus and Mr. Chater
and Septimus and Mrs. Chater to Byron instead of Septimus. Septimus's theory is
that Byron killed Chater because Chater disappeared after 1809 which is when
the threatening note was written.
Hannah is skeptical and says the evidence is
inconclusive and she found no mention of Byron while perusing the Croom
archives. She says Septimus and Byron were contemporaries at Trinity College
which strengthens his theory.
Bernard leaves, ecstatic and Gus gives Hannah an
apple.
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