The Merchant of Venice (1973) -- Film review
The 1973 National Theater film production of The Merchant of Venice packs several surprises, particularly in terms of the heated controversy over Shylock's character. Although sympathetic interpretations of the villain aren't uncommon, director John Sichel manages to keep the play fresh with a few clever cinematic manipulations of Shakespeare's text. The movie occasionally becomes overly sentimental to create pathos for Shylock; however, Sichel's portrayal of Antonio's character, Bassanio's character, and Shylock's relationship with Jessica results in an unusual and generally convincing take on the Shakespearean play. To invoke sympathy for Shylock, Sichel makes Antonio and Shylock into ostensible doppelgangers. In the courtroom scene, Portia cannot tell them apart, implying that the two are similar not only in appearance but in essence too. The two are of similar height, both well into middle age, and in some scenes identically garbed in black suits and a t...