The Cafeteria by Isaac Bashevis Singer - Summary
I
Aaron, 60-70 year old writer and
lecturer, in New York, often eats at a cafeteria where he meets people who
speak Yiddish from Poland and other artist types and talks with them. He is extremely
familiar with his neighborhood. He lived in Poland for 30 years and then in his
neighborhood for the same amount of time.
In the 1950s Esther joined the group who
was a holocaust survivor. She was still happy and admired Aaron's work and this
charmed him. Her father told him about life in Siberia.
II
Aaron had to leave for Israel and when he
came back he couldn't find her. He goes to look for her in the cafeteria and
find it has burned down. He can't be bothered to keep searching. Half a year
later he goes to the library and finds her. She says she has been sick as has
her father. She does not want an idiot husband or an uncouth husband. They
discuss the afterlife; Aaron is optimistic whereas Esther is pessimistic.
III
The cafeterianiks came back. They keep
talking to him about his work. Lots of refugees and survivors go there. Years
later he meets Esther again. They have both grown older, and Esther is bitter
and disillusioned it seems. She starts ranting about reparation money and her
health and how she's not getting any because she escaped to Russia.
IV
Esther calls Aaron, distressed. He
invites her to his apartment. She comes up. She says she decided to confide in
him because of the person he was as she discerned from his work. She confesses
she saw Hitler in the cafeteria one night with a group of Nazis and ran home.
They explore the reasons behind this, Aaron claiming it is a vision and Esther
denying this. Aaron suggests she tell the psychiatrist to get compensation
money but she doesn't like the idea. He wonders if the same sort of thing would
happen to him.
V
He is afraid Esther would call him but
she doesn't. He becomes more and more successful and as he does he has
increasing fear of his apartment catching fire. He goes to Toronto via subway
and train, because he can't get a taxi, and sees Esther looking good with a man
he knew from the cafeteria twenty years before. The more he thinks about the
encounter, the stranger it seems to him – he even thinks he had read that the
man died. He starts seeing heavenly bodies behaving strangely and getting death
conflated with life. Esther's Hitler story seems more plausible. He returns
from Toronto and an ex-Rabbi tells him she died. He resolves to find out more
about Esther, but grows busy and doesn't. He concedes that corpses do walk on
Broadway.
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