ESSAY CEMETERY

THEMES God's providence Hunger Violence against the Indians Idolatry of the Indians Indians as savages Indians marvel at the white man Indians feed the white men Misinterpreting Indian actions Indian woman saves white man Indians defy their own (Pocahontas) STYLE Smith refers to himself in the third person PEOPLE AND PLACES Chickahominy Smith President Captain Archer Wingfield Kendall England Warraskoyack Okee Quiyoughkasouck King of Pamunkey Robinson Emry Jamestown John Smith

From The Norton Anthology of English Literature, Vol I, Ed. 5 After the sailors depart for England, the settlers are left completely hungry. They have very little food and many die. When they run out, God makes it so the Indians bring the settlers food and save them. He realizes that they had come to the New World too late to plant food. Smith directs the building of the settlement's lodgings. Then he tries to trade with the Indians and that failing tries to use force, shooting them and capturing their idol god. He got food enough for a year but the settlers ate it much more quickly. Smith prevents several settlers from absconding to England. When winter approaches hunting is good and they have as much food as they like. Smith gets two men killed on an expedition and he is taken prisoner for 1.5 months. He comes to be admired by the Indians. Smith gives their leader a compass and explains astronomy to them, so the leader orders him to be spared. The savages stare at h

Prologue THEMES AND AUTHORIAL ATTITUDE Self- criticism Self-reflexiveness Metaliterature: "the Greeks", Bartas Feminism- objection to traditional gender role I am obnoxious to each carping tongue Who says my hand a needle better fits. Men are better But women are still good Defense of woman writers To My Dear and Loving Husband THEMES Love Contentment in marriage Repayment in heaven Eternal life through love Verses Upon the Burning of Our House THEMES Burning house Fear Lamenting her possessions gone Chastisement for material thoughts Riches lie in belief in God STYLE Shift in tense: first, the poet speaks in past tense and then she addresses her heart, and then back to thinking of herself KEYWORDS Fire Ruin ashes Posthumous depiction of Anne Bradstreet by Edmund H. Garrett.  Source: Wikipedia

Prologue At first she is reluctant to tell of the beginning of the creation of the commonwealth because she feels unworthy. But then she is inspired by Bartas and begins. She apologizes for her irreparably inferior skill. She objects to the convention against women writing and addresses the scorn with which women writers are regarded. She concedes that men do everything better, but asks men not to completely disregard women's smaller talents. She says her poetry is worthy of recognition. To My Dear and Loving Husband She loves her husband and is joyful to be with him. She loves him more than all the riches and though she cannot repay him she prays heaven will reward him. She asks him to persevere in love so that through this love they may live forever. Verses Upon the Burning of Our House When she went to sleep she did not expect disaster, but she is awakened with cries of "fire!" She prays to god for help, leaves her house and looks upon her burning dwel

THEMES Variability of creatures under god Quoting from Scripture Laws governing proper social behavior Interpretation of the bible Cockiness that they are the chosen ones Body of Chris Love Individual conduct to benefit the common good Generosity Assistance to those in need KEY WORDS His (God's) laws STYLE AND DEVICES Quoting scripture Question and answer format John Winthrop

God has made the world so that there are those who are less fortunate, and more fortunate. The reasons are: 1. To be in accord with the variability present in the natural world. Also, it is more satisfactory to gain followers of God secondhand, via a man messenger than directly by God accruing them.  2. The variation in the goodness of people gives God the opportunity to use his power to moderate vices, and support and endow with virtues.  3. Variety causes men to need one another and thus grow closer together. The difference in men is not because some are better than others but because this serves God and all God's men. People should show mercy and exercise justice toward one another, and be governed by the Laws of Nature (love thy neighbor as you love yourself) and Gospel (hospitality, as dictated by the Gospel). The following is in Q&A format: Men should help others in need. They should behave in this way because they care for one another as much as they ca

Tomashevsky, Boris. "Thematics."   Russian Formalist Criticism: Four Essays . Comp. Lee T. Lemon and Marion J. Reis. Lincoln: University of Nebraska, 1965. 62-95. Print. About Tomashevsky Tomashevsky is a Formalist. (From Wikipedia: In literary theory , formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. The formalist approach reduces the importance of a text’s historical, biographical, and cultural context.) Introduction to Tomashevsky's Approach The introduction to “Thematics” by Tomashevsky states that Tomashevsky’s essay is a proposal of how to analyze a narrative. A narrative must have a theme and enlist the readers’ emotions. Tomashevsky makes a distinction between Plot and Story. Tomashevsky deals with many aspects of narrative, including motif and how to distinguish between those which are and aren’t necessary to the action. He explores the parts  of narratives and their purpose. “The motif-

Chatman, Seymour Benjamin. "Introduction."   Story and Discourse: Narrative Structure in Fiction and Film . Ithaca, NY: Cornell UP, 1978. 15-21. Print. Seymour Chatman Different famous personalities have tried to analyze what makes a narrative. Emphasis is put on Aristotle's Poetics .  Fairy and folk tales had relatively simple plots and structures; modern narratives are more complex. Dictionary definition of poetics: literary criticism treating of the nature and laws of poetry. =literary theory Literary structuralistic theorists/poeticians deal not with evaluating  a poem but with defining, analyzing, categorizing it. Poetics, as Todorov states, should strive not to provide a mere description of the work, but to go outside of the constraints of the work in order to draw conclusions about it, and go beyond it. Literary theory is a study of the nature of literature. Works of literature often are of mixed genres, and are never perfect representation of the

Todorov, Tzvetan.  "Chapter 3: The Uncanny and the Marvelous . "   The Fantastic: A Structural Approach to a Literary Genre . 24-57. Ithaca: Cornell UP, 1975. Print. The evanescence of the fantastic genre means that a work may change genre mid-reading. The first part constitutes the marvelous or uncanny- the reader thinks there is either a natural or supernatural explanation to the events. The second part is the fantastic genre, in which the reader hesitates over his explanation of the events. The part that follows the decision contains a shift – there reader realizes his primary explanation of the events was wrong, and the genre shift again to either marvelous or uncanny- the opposite from the first part. Texts which are unresolved are fantastic in their entirety. The transition between genres is not sharp. If a story begins as uncanny, it will transition through fantastic-uncanny and fantastic-marvelous before becoming marvelous. The fantastic-uncanny is "the su

Todorov, Tzvetan.  "Chapter 2: The Fantastic . "   The Fantastic: A Structural Approach to a Literary Genre . 24-57. Ithaca: Cornell UP, 1975. Print. The fantastic is a genre that exists while in the work of literature there is uncertainty as to whether an event is caused by natural or supernatural sources. Once the reader has chosen one explanation or another the work transitions into the fantastic’s sister genres: “the uncanny (supernatural)” or “the marvelous (hard to believe but governed by rules of reality)”. The fantastic is characteristic of a situation, normally involving characters in the “real world”, where there is a simple realistic explanation for what is happening, but this explanation conflicts with the protagonist’s feeling that the supernatural explanation is the correct one. Many times in the genre, the sense of uncertainty builds up over time. Supernatural events are juxtaposed with natural emotions, or natural behavior until the protagonist’s judg

Todorov, Tzvetan.  "Chapter 1: Literary Genres. "   The Fantastic: A Structural Approach to a Literary Genre . 24-57. Ithaca: Cornell UP, 1975. Print. Tzvetan Todorov “The Fantastic” is a name given to a kind of literature, to a literary genre.” Genre is about examining a text in the context of many others belonging to the same genre, as opposed to analyzing a text in its own right. The definition of a genre is done by examining a limited number of texts belonging to this genre, formulating a theory of the genre, and modifying or rejecting it, as necessary, upon examination of new texts that belong to the same genre {biology analogy: the discovery of a mutant tiger doesn’t make us change the definition of the tiger as a species, whereas the discovery of an aberrant text may make us redefine the genre to which the text belongs}. A text which does not modify our idea of the genre or bring anything new to the literary table is categorized as pop literature, whereas it is

The 2001 film A Knight's Tale , written and directed by Brian Helgeland, is set in medieval Europe. The film contains era-appropriate themes such as courtly love, nobility, and chivalry. However, the depiction of events and actions frequently deviates from the ideals and conventions held in medieval times. These deviations can be seen to appeal to different kinds of audiences, to create interest and comedic effect on different levels. Three kinds of audiences can be identified, each possessive of a different degree of familiarity with the film's subject matter. First is the lay modern audience that is unfamiliar with the medieval era. For this audience, the deviations from medieval conventions serve to make the movie more accessible. The film incorporates physical love scenes and contemporary comedy for this type of audience, whose interest would not have easily been maintained by chaste, moralistic courtly love. Second is the audience that has a general knowledge of the co