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A Poetic Exploration of the Artistic Process: Inspiration and Frustration in Shakespeare and Keats

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At times it seems that art cannot help but be self-reflexive. In the poetry of both Shakespeare and Keats, literature and the creative process are themes that surface and dominate their work, even when the presumed subject of their work is entirely unrelated. Shakespeare's Sonnet "66" and "76", despite being written in a form that traditionally celebrates love, explore the difficulties of the artistic process. "Sonnet 66" addresses the issue of external hardships imposed upon the artist, whereas "Sonnet 76" concentrates on difficulties that originate within. John Keats' "Ode on a Grecian Urn" seems to be more of an ode to imagination and the creative process, defying its self-proclaimed subject, the urn. External examination of the vessel inspires questions as to the events depicted on it, resulting in speculation that goes beyond the urn and creates vivid, colorful poetry. Through the form of their poetry and the various sound

Shakespeare's Sonnets - Analysis

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THEMES/STYLE Nature imagery Sonnet 64: When I have seen the hungry ocean gain Advantage on the kingdom of the shore Woman as better than nature Sonnet 18:  Shall I compare thee to a summer's day? Thou art more lovely and more temperate Self-referential poetry Sonnet 18 So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee. Sonnet 19  Yet, do thy worst old Time: despite thy wrong, My love shall in my verse ever live young. Sonnet 24 My body is the frame wherein 'tis held, And perspective it is best painter's art. Sonnet 76: So all my best is dressing old words new, Spending again what is already spent Men as ruling nature Sonnet 19 But I forbid thee one most heinous crime: O! carve not with thy hours my love's fair brow Woman created by nature (surpassing god) Sonnet 19 A woman's face with nature's own hand painted Gender as ambiguous Sonnet 20 A woman's face with