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Showing posts with the label Frederic Jameson

From Impulse to Program and Back Again: The Particularization of the Ideal

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"To see traces of the Utopian everywhere… is to naturalize it and imply that it is somehow rooted in human nature". Biologists in general and evolutionary scientists, in particular, would not hesitate to concede to this somewhat Freudian suggestion, posited by Jameson in his 2005 book Archaeologies of the future: the desire called Utopia and other science fictions . A frequently recited maxim in academic biological circles is that life is an extremely unfavorable energetic and dynamic state, as contrasted with death which is a state of easily self-perpetuating equilibrium. Similarly, the very rhetoric of Darwinian evolution implies that life inherently seeks better circumstances, with phrases such as "survival of the fittest" and "natural selection", in which the most enviable position belongs implicitly to the organism best suited to his or her or its surroundings. While Utopianism does seem to be a natural individual quality, idealism has not always been

Postmodernism by Jameson -- Article Summary and Themes

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Fredric Jameson Postmodernism -- Article Summary Postmodernism originated in the 1950's-60s. Instead of visions of the future, there is a sense of endings of various movements, specifically Modernism. The article will examine whether there is really a difference between Postmodernism and Modernism, which is characterized by stylistic innovation. Postmodernism is especially evident in architecture. High modernism in architecture is characterized by the destruction of the traditional city/neighborhood scape by building new, different sculptural structures that are jarringly different from the surroundings. PM opposes this, and supports structures that are "populist". All views of Postmodernism are similar in that the border between high culture and mass or commercial culture is disappearing. Whereas Modernist creators discuss mass culture or allude to it, Mostmodernists embrace and merge with commercial culture. Aesthetic production is now integrated into the consumer marke

Archeologies of the Future and Varieties of Utopia by Fredric Jameson -- Article Summary

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I: Varieties of the utopian There is a difference between the utopian form and the utopian wish. The utopian form is a text that deals thematically with utopia and the utopian wish or impulse is apparent in daily life in attempts to make the world a better place, as in politics. This genre begins in 1517 with Thomas More's political text Utopia and continues in Science Fiction and the historical novel. Works in these new genres seem to not stand on their own but to be a response to other works and create a whole network of associations. Jameson points out that visions of utopia encompass all areas of life, from politics to the individual to medicine and entertainment. Sometimes these visions are manifestations of unconscious wishes, but sometimes visions of utopia are self-aware. The impulse is covert while the form is systemic and overt. Both are apparent in politics for instance, as reforms can be gradual and implied or extreme and revolutionary.  This distinction between impulse

"Postmodernism, Or the Cultural Logic of Late Capitalism" by Fredric Jameson - Summary

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Postmodernism is the sensing of the end of movements, particularly the modern movement. Modernism is characterized by the abstract in art for example, and by technology elsewhere. Postmodernism is characterized by the integration of commercialism, advertising, and cheap culture into people's character.  Fredric Jameson Other names for post-modernism are the "electronic" age or the postindustrial age. This suggests that the social system of postmodernism no longer obeys the laws of capitalism. Another argument is that postmodernism is simply more advanced modernism. Postmodernism has generally criticized the hermeneutical model of inside and outside, ideology and metaphysics. Other modern theories are that are disputed in postmodernism are: 1.        Essence and appearance 2.        The Freudian model of latent and manifest/repression 3.        The existential model of authenticity/inauthenticity, alienation/inalienation 4.        The semiotic opp